17,733 Royalty-Free Audio Tracks for "Audio Files Of Waltzes By Frédéric Chopin"

Klarinettenkonzert A-Dur (adagio) Clarinet Concerto KV 622, 2nd mvt. (adagio)

Waltz Chiapa de Corzo

St. Louis Blues - 9 bars, tenor saxophone

Mahler, Symphony No. 6, Scherzo, Figure 55, bars 5-12

Maha Roek - Parttayakoson Band from Royal Crown Gramophone record

Berlioz, Queen Mab Scherzo, opening bars

From Berlioz, Queen Mab scherzo

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Scheherazade, Symphonic Suite, Op. 35.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Иже Херувимы, №7. Бортнянскаго. Исп. духовный хоръ А.А. Архангельскаго. Петербургская фабрика “Звукопись”,

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

Berlioz Toscanini Scherzo de la reine Mab cymbales antiques

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550

Richard Wagner: "Titurel, der fromme Held" aus "Parsifal" (Ausschnitt) Orchester des Reichssenders Frankfurt, Hellmut Schwebs (Bass), Otto Frickhoeffer (Dirigent) Aufnahme von 1942 im Großen Saal an der Eschersheimer Landstraße Richard Wagner: "Titurel, der fromme Held" from "Parsifal" (excerpt) Frankfurt Radio Symphony, Hellmut Schwebs (bass), Otto Frickhoeffer (conductor) recording from 1942 in the Eschersheimer Landstraße great hall

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

L'Estro Armonico, Op. 3, Concerto No. 2 in G minor for two violins, cello and strings, RV 578

Adagio aus Carl Phillip Emanuel Bachs Klaviersonate in F-Dur

L'Estro Armonico, Op. 3, Concerto No. 5 in A major for two violins and strings, RV 519

Aria Air des Bijoux from the opera Faust.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550:

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Basse de Cromorne, de la suite pour orgue en ré majeur.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

sound sample of Tchaikovksy's Francesca da Rimini

L'Estro Armonico, Op. 3, Concerto No. 6 in A minor for a violin and strings, RV 356

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Wagner, Die Walkure, Act III, magic sleep music

Berlioz Symphonie Fantastique finale, bars 1-4

08Haydn NelsonMass-Sanctus

Mozart - Requiem (Krips) - VI. Recordare

Haydn from C minor Sonata finale

IMSLP247104-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - II. Allegro assai

Mendelssohn; piano concerto no 1 in G minor 1. Molto allegro con fuoco

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Hector Berlioz - Symphonie fantastique, op. 14 - 1. Rêveries – Passions (Igor Markevitch, Orchestre Lamoureux, 1962)

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 02. Kyrie eleison

Song by Ustad Qasim Jo.

Song by Ustad Qasim Jo.

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Slavonic Dance, op. 72, No. 2

Hector Berlioz - Symphonie fantastique, op. 14 - 5. Songe d'une nuit du Sabbat (Igor Markevitch, Orchestre Lamoureux, 1962)

Mahler, Symphony No. 4, fourth movement, bars 25-6

05Haydn NelsonMass-Credo Credo

Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.